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Ivy Benson’s “All Girls Band” was the BBC’s resident dance band in 1943 and toured until the 1980s. All-girl bands active in vaudeville, variety shows, and early sound films during the 1920s to the 1950s are documented by Kristin McGee in Some Liked it Hot: Jazz Women in Film and Television. Sally Placksin, Linda Dahl, D. Antoinette Handy, and Frank Driggs along with professor Sherrie Tucker, in her book Swing Shift: Eveyone is a little Irish on St Patrick’s day except the Scottish shirt “All-Girl” Bands of the 1940s, have also documented this era. A Polish group Filipinki was established in 1959.
Eveyone is a little Irish on St Patrick’s day except the Scottish shirt
Bands composed solely of women began to emerge with the advent of rock and roll. Among the earliest all-female rock bands to be signed to a record label were Goldie & the Gingerbreads, to Atlantic Records in 1964, the Pleasure Seekers with Suzi Quatro to Hideout Records in 1964 and Mercury Records in 1968, the Feminine Complex to Athe na Records in 1968, and Fanny (who pioneered the all-female band sound in the early to mid-1970s) in 1969 when Mo Ostin signed the m to Warner Bros. Records. There were also others, such as the Liverbirds (1962–1967), the Ace of Cups (1967), the Heart Beats (1968), and Ariel (1968–1970) which included the three members of the Deadly Nightshade.